Looking for medina, metius, media, medic?

tulip-shaped flower with diamond cutout at top; two leaves on stem with second cutout at bottom; ruled paper — Paper Pattern in the Form of a Flower, before 1958
Mrs. Paul Cyrette

G302

spray of four leaves; scrap of printed paper-black on white on one side, black on blue on opposite side — Paper Pattern in the Form of a Leaf Spray, before 1958
Mrs. Paul Cyrette

G302

one of seven rubbings taken from stone slabs comprising the Wu family shrine in Shantung Province, China — Rubbings from the Wu Family Shrine, 20th century
China

G215

eight-petalled flower; printed magazine page-blue on one side, black and white photograph on other side — Paper Pattern in the Form of a Flower, before 1958
Mrs. Paul Cyrette

G302

few dwelling huts in an atmospheric rocky riverside setting; in a wood case — Misty Trees and Mountain Range, early 17th century
Dong Qichang

G203

extremely thin, delicate paper bowl with wasp paper on exterior affixed to thin white paper substrate; small flat base with widely-flaring sides — Untitled, 1997
Kay Sekimachi

G302

The right-hand half of a pair of decorations painted by Vuillard for Dr. Vaquez in 1912-1913; shows the junction of the Boulevard Haussmann and Boulevard Malesherbes at the Place St. Augustin as seen from a café at the Rue de la Pépinière — Place Saint-Augustin, 1912-1913
Edouard Vuillard

G355

fisherman riding on a boat and playing a flute at lower right corner; three people inside a building just below center at left edge; mountains in background — Riverside Scene with Scholar and Fisherman, c. 1500
Liu Jun

G203

towering rock formations in clouds at top; river at center; bearded figure at center bottom looking at waterfall in LLC; 2 other figures between trees — Landscape with Scholar Viewing a Waterfall, 1722
Cai Jia

G203

horizontal wooden forms in layers; top form like a large turned wood spindle; several layers of slab-like forms beneath; vertical round element with sawed-off pegs and holes at front PL corner; seven organic shaped holes through roughly oval element at top PR side, with one sawed-off peg and two small pegs; some elements wrapped in inherent creased, folded, and crumpled white paper; side with signature and date is front — buttai47, 2018
Miho Dohi

G374

22 volumes; who's who in Ancient China; gift of Liu Xiyu — Worthy Friends, 1666 printed
China

G216

Johrgang 1909, no. 1, pp.1-126 — Karlsbader Spitzenbright: Spitzenfabrik und Versandgeschaft in einen Karlsbader Handgekloppelten und Genahten Spitzen, 1909
J. E. Gunter

Not on View

pattern for birch bark cut out; simple bird form in tan paper — Paper Pattern in the Form of a Thunderbird, before 1958
Mrs. Alec LeSage

Not on View

symmetrical design with large central flower with teardrop-shaped cutout, two smaller side flowers and four leaves; printed paper with blue on white on one side, and blue, yellow, brown, orange and green on opposite side — Paper Pattern in the Form of a Floral Spray, before 1958
Mrs. Paul Cyrette

Not on View

four leaves on a short stem; ruled paper — Paper Pattern in the Form of a Leaf Spray, before 1958
Mrs. Paul Cyrette

Not on View

heart shape; ruled paper — Paper Pattern in the Form of a Heart, before 1958
Mrs. Paul Cyrette

Not on View

two clovers with stems attached- one with four leaves, one with five leaves; orange paper — Paper Pattern in the Form of Clovers, before 1958
Mrs. Paul Cyrette

Not on View

pattern for birch bark cut outs; tan cut-out paper in the form of a moose — Paper Pattern in the Form of a Moose, before 1958
Mrs. Alec LeSage

Not on View

head, shoulders and arms of a woman with blonde wavy hair, leaning on a white cushion; woman wears brown, black and white dress, gold chain bracelet, pearl earrings, gold and pearl rings and holds a fan — I know a maiden fair to see, take care, 1868
Charles Edward Perugini

G357

landscape with farm field in foreground, church in background, and low buildings and sheep in middle ground — The Church at Chailly, 1868-1869
Jean-François Millet

Not on View

Illustration from the 'Gulshan-i 'Ishq (Rose Garden of Love). A man holds a large bag of clothes seated under a tree, upper center, seven fairies playing in a pool with fountain are gesturing to him, figures surround on four sides by a garden — Raja Bikram Collecting the Clothes of the Bathing Fairies, c. 1710
Mulla Nusrati

Not on View

Scholar in Landscape, Liu Yuanqi — Scholar in Landscape, 1601
Liu Yuanqi

G203

Skeleton Father and Son Doing the Bon Dance, second half 19th century

Doi Gōga

G237

New York skyline; underside of bridge above, boats on water in foreground — New York Skyline with Bridge, 1932
Reginald Marsh

G353

thin, tall bamboo sprigs at R in gray and black — Southern Mountain Bamboo, 1822
Ema Saikō

G237

gnarled branches with dense flower blossoms made of spots of ink and ink wash — Plum Drawn from the Mind, first half 19th century
Baichi Dōjin

G237

four-petal flower with paper pattern attached to birch bark with black and white threads — Birch Bark Flower, before 1958
Mrs. Paul Cyrette

G302

in a wooden box with inscription on outside of lid; has ivory knobs; image of a monkey on the R side hanging from a branch and leaning to touch the ground/water; inscription along L edge — Monkey Playing with the Moon Reflected on the Water, 20th century
Fukuda Kodōjin

G225

black ground with white and brownish lines scratched in circular design; white wood frame with glass — Throw (C-918), 2009
Marco Breuer

Not on View

high, sketchy view of a park with many large trees and figures — In the Park, 1910
Childe Hassam

G353

close-up image of a child's face, open-mouthed and crying; short, curly hair; rendered in washy green, mauve, gray and tan pigment; white background — Crying Child, 2018
Darius Steward

G353

colorful image; grouped figures in T quadrants; colorful, horizontal planes along B quadrants, representing walls and the ground; bench in BC; window in URC; single figure in LLC; brown wavy lines along bottom edge of image; floating mount, with a brown wood frame — Untitled, 1965
Agatha Wojciechowsky

G353

close up of tops of onion plants, frond tips, and blossoms in varying stages against olive green background — Onion flowers, 1966
Tanaka Ryōhei

G226

narrow lane with two trees; stone wall at L; buildings at L and R and in background; shadows from tree leaves on lane — Roadway in Shade No. 2, 2007
Tanaka Ryōhei

G226

sparrow perched at L on delicate blossoming branch; another sparrow flying, about to land at R — Birds on a Plum Tree, 1795
Itō Jakuchū

G225

snow-covered trees on large boulders lining small inlet at bottom; a few small buildings lower center visible behind trees and inlet; in background, mountain tops rise through clouds; inscription URQ — Sudden Snow Dances in the Whirlwind, 1875
Yasuda Rōzan

G223

snow-covered trees and rocks in foreground; snow-covered mountains in background; figure with straw cape walking across bridge at LL carrying objects hanging from pole over PL shoulder — Landscape in the Snow, first half 19th century
Imaōji Yūzan

G223

Drawings - Watercolor — Prayer for the Mother, 20th century
Archie Blackowl

Not on View

Dragon [right of the pair Dragon and Tiger], Yamada Dōan — Dragon [right of the pair Dragon and Tiger], 16th century
Yamada Dōan

Not on View

abstracted sea scape in greens, blues, dark orange and white — Heavy Seas at Sunset, c. 1930 - 1935
Emil Nolde (born Emil Hansen)

Not on View

Sheriff I Deliver Ramerrez, the Highway Man to Your Charge. Justice Must Be Done., Nicolas Africano — Sheriff I Deliver Ramerrez, the Highway Man to Your Charge. Justice Must Be Done., 1963
Nicolas Africano

Not on View

Study for the Assumption of the Virgin, Jean-Baptiste Deshays — Study for the Assumption of the Virgin, 1758
Jean-Baptiste Deshays

G314

Egrets in Willow [left of the pair Egrets in Plum and Willow], Sesson Shūkei — Egrets in Willow [left of the pair Egrets in Plum and Willow], second half 16th century
Sesson Shūkei

Not on View

Hanging scroll — Landscape, 18th century
Unknown Japanese

Not on View

Priest Riding a Donkey, attributed to Kano Naonobu — Priest Riding a Donkey, 17th century
attributed to Kano Naonobu

G221

interior scene; two beds with mosquito next, with two women laying on each bed; front woman wears pink sleeveless dress; back woman wears blue sleeveless dress; red floor, and yellow walls; window in URQ; chair in CL; book shelf with bottle of water and two books in LLQ — Horton Gardens, 2002
Sarah McEneaney

G375

colorful image of woman in bathtub filled with blue water and bubbles, eyes closed, lathering her hair with both hands at R side of image; silver/gray tiles on wall in upper half of image; towel, razer, shampoo bottle on edge of tub toward bottom of image; pigment of tiles and water has iridescent sheen; floating mount in white wood frame — Bather Washing Her Hair, 1974
Helen Oji

G375

Winter Tree, Tanaka Ryōhei — Winter Tree, 1967
Tanaka Ryōhei

G226

building facade with clock face at top; 2 treelike elements in front; details in gold — Tzedakah Box, 19th century
France

G362

Swimming Hole in January, Eva Peterson — Swimming Hole in January, 1944
Eva Peterson

G353

Tall, slender turned wood base resting on a wide foot; metal cylinder with repousse scrolls and inscription and domed metal lid with organic finial; chair with weight attached to one side of cylinder; cloth-covered paper roll (d) inside cylinder (should be removable, but is stuck inside) — Prayer Wheel, 18th-19th century
Tibet

G212

Wallpaper, China — Wallpaper, 19th century
China

Not on View

wooden box with hinged lid and removable tray with compartments; painted on the exterior with buildings and landscapes; a mill is painted on the lid; lid and interior tray lined with paper — Sewing box, 1844
Daniel Evans

Not on View

narrower lower portion with slightly larger upper portion; paper with huang hua-li supports; geometric designs at top and bottom corners of upper section and on edges of lower section — Lantern, one of a pair, late 17th-early 18th century
China

G218

linear portrait of a man with a beard, long eyebrows and large ears, wearing a hood; block of text above — The Buddhist Layman Vimalakīrti, 18th century
Hakuin Ekaku

G221

Mujer de Taxco, Luís Arenal; Publisher: Associated American Artists, New York — Mujer de Taxco, 1937 (1947 edition)
Luís Arenal; Publisher: Associated American Artists, New York

G255

black ink and red chop marks on white; bull seen from behind at bottom, in black outline with round white center and gray horns; three lines of vertical characters at top; one red chop mark ULC, two red chop marks below line of characters at left; blue-green silk mount; black scroll bar — White Ox in the Open Air, 19th-20th century
Takeda Mokurai

G221

Manuscript of the Baharistan, confronting illuminated pages and double frontispiece miniature. The Beharistan by Jami; Manuscript by Mir Husain Al Husaini the year 908 of Hijra Miniature, double fonts, Executed in Bukhara for the Sultan Abu'l-Ghazi 'Abdu'l-'Aziz Behadur Miniature is signed Mahmud al-Mudhahhib (in Fehzadian Tradition) Binding is made in Half size mold, inside paper is filigree Identification by Attinghausen-March 1957. (Fine Quality) — Manuscript of the Baharistan (Spring Garden), 1551
Mir Husain al-Husaini; Painter: Mahmud al-Muzahhib (Mahmud "the gilder")

G243

silver metallic outboard motor; sides of motor shaped like blimps with red and white "WATERWITCH" stickers — "Waterwitch" outboard motor, 20th century
John R. Morgan; Manufacturer: Sears, Roebuck and Co.

G379

folded-over pages of hand-written text with some geometric drawings inside a leather case with two open sides and a flap closure; three additional leather slipcases, each with one open side; all cases are brown with lightly pigmented geometric patterns; approx. 127 pages — Islamic manuscript in case, c. 1900
G242

mountainous landscape in green and tan; buildings nestled in trees; seated figure in LLQ; bridge right of center over calm water; inscription in URQ with two red seals — Landscape after Gao Kegong, 1679
Lü Huancheng

G203

seated man wearing pale red garment with bushy beard and black loop earrings; seated on dark blue pillow with green flowers; matching smaller pillow in front with sandals on it — Daruma, 1917
Tsuji Kakō

G239

fan-shaped painting; bald man with bushy white eyebrows and bushy white beard, eyes squinted shut; wearing light green robe, hands clasped in front under robe; brown gourd at man's PR — Jurojin, early 20th century
Tsuji Kakō

G239

colorful Bacchanal scene with blotchy pigment; two Centaurs wrestling UC, one is holding a sword; three male figures at L, one holding a dagger; group of nude male and female figures, standing and seated, down R side and into LRQ; two Centaurs, one holding a flute, at LL — Satyrs and Fauns - Bacchanale, 1924
Philip Evergood

G353

image of a hammerhead shark lying on piece of land; body of water in washy red pigment on L, with mountains in the background; red sky that gradates to blue at horizon line, with black diagonal scribbles throughout; red building on the R, with two palm trees at entrance; boat in CR; anchor in ULC — Untitled (Hammerhead Shark), 1974
H. C. Westermann

G353

black ink and red chop marks on cream; seated male figure at bottom with three round objects placed before him, oval behind figure; three vertical lines of characters above figure; red chop mark in ULC, two red chop marks below line of characters at R; beige and olive silk mount; red scroll bar — Budai, 19th century
Shunsō Shōju

G221

two horizontal rows with sketches of four standing birds on each row, with watercolor backgrounds and highlights, with the title written below each row — People came from far and wide to see the giant birds, 1971
June Leaf

G353

pair of six-paneled folding screens; dark blue cloth backing; black frames; a (left): abstract image in mostly black, white and red pigments; fiery red and orange section, with swirling, looping linear pattern on left-most section of screens; several repeating patterns of circular shapes, in many different sizes, and arranged in rows L and R sides; large circular shape in C, with two smaller circles at lower edges of larger circle, in washy black pigments; thick white pigment with linear surface treatments on lower section of three right-most screens; b (right): abstract image with biomorphic forms including human arms primarily in black on tan with pale blue and red highlights; forms are more dense/taller at right side and taper toward left; textured designs of circles and wavy lines at top in grey, blue, and white — Chaos, 1983
Matsubara Ken

G333

tube with openwork design with applied grapes, candelabra, 2 tablets and plaque with liquid being poured from a pitcher into a basin, backed with copper; open crown at top; handle with twining applied vine — Megillah (scroll of Esther) with case, c. 1885–1890
Poland (probably)

G362

Description Young girl showing her invention of spinning to the ladies. 'The Spinners' is a delightful miniature. The colors are very good and the subject matter and the treatment of the landscape-half Persian, half Chinese- is of special interest. R.E. The daughter of Haftwad increases her daily spinning in the mountain side iwth the help of the appleworm. Haftwad's daughter is with the other girls of the city of Kujarn. (Warner and Warner Vol. VI, p. 233). — Story of Haftvad, c. 1300
Western Iran or Baghdad

G243

Sources of Strength, Jaune Quick-to-See Smith — Sources of Strength, 1990
Jaune Quick-to-See Smith

Not on View

2 figures, one very small carrying a basket, in lower left corner standing on a bridge; 2 buildings near top; tall trees in middle ground and mountains in background; inscription and 2 seals in upper left corner — Gathering Herbs, 1612
Xie Daoling

G203

old Daoist magician stands on a bluff by a pond, a small boy at his side, bamboo stick he throws into the air is transforming into a dragon; matted — Fan Painting of a Daoist Magician, c. 1650
Wan Shouqi

G103

water bodies and seaways wind through seaside villages and around island oasis; throughout fishermen and birds speckle the water with activity — Misty River and Layered Peaks, Wanli period, 1608
Gu Deyi

G203

Bodhisattva Mañjuśrī, early 15th century

Kichizan Minchō

G221

Lithograph printed from three plates in light gray, brown, and black depicting a coyote laying on its back holding four shadow puppets. Printing order: light grey, brown, and black. — Revisionist History Lesson, 2014
Julie Buffalohead; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G259

snow-covered rocks at L with wilted, snow-covered reeds; hazy snowy mountain in background; patches of light gold wash; inscription at R — “River and Sky in Evening Snow,” from the Eight Views of the Xiao and Xiang Rivers, c. 1602-1603
Kaihō Yūshō; Author: Inscribed by Saishō Jōtai

Not on View

From the Book of Kings by Firdausi. A Shah Namah illustration. 11 from the same work illustrated and well described by E. Blochet in Rupam No.41, Jan. 1930. Date there 1200. — Rakhsh, Rustam's Horse, Kills a Lion While His Master Sleeps, c. 1300
Western Iran or Baghdad

G243

depicting a composition of objects associated with the scholar's study — Books and Scholar’s Objects (Chaekgeori), 19th century
Unknown Korean

Not on View

rocky outcroppings on a beach with building at left and monkeylike figure walking on sand; sun at horizon on water — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

blocky rock island with three small buildings near water; five boats — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

The Smoker, Henry W. Bannarn — The Smoker, c. 1933
Henry W. Bannarn

G353

Geraniums, Bessie Lourdes Mulholland — Geraniums, c. 1942
Bessie Lourdes Mulholland

G353

Finger Painting, from an album of ten, 1684

Gao Qipei

G218

Untitled [orange fish], Maybelle Stamper — Untitled [orange fish], 1955
Maybelle Stamper

G353

Minnehaha Falls, 1, Wuxie Wang — Minnehaha Falls, 1, 1985
Wuxie Wang

G301

two horned animals with fingerprint bodies at top of a bluish-grey hill; large empty space in middle ground, blue and grey mountains beyond — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

spider at the center of a web with a flowering branch in front, across bottom and left edge — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

horse with a small pack on its back galloping across waves — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

white swooping bird at center; curving flowering branch at top and right — Flower-and-Bird Finger Painting from an Album of Ten Leaves, 1684
Gao Qipei

G218

two small buildings on stilts at the base of a waterfall; rocky outcropping above — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

small, towerlike pagoda partially covered by dark grasses; rolling, rust colored mountains behind — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

circle of a single brushstroke at right; text at left; 2 seals in LLC, 1 in ULC — Ensō, 19th century
Taidō Sōtō

G221

Abstract assemblage in browns, tans, grey, black and cream; raised rectangular box-like elements at center--some open, some "closed"; predominately horizontal and vertical layered elements of various colors and textures; one open rectangular box has thin paperlike elements in various layers; wavy black lines and small frenetic tic marks particularly concentrated on topmost closed rectangular box and at bottom center; metal envelope clasp at top left of center; received in a shadowbox with silver edging — Time Memory / Fault 11, 2016
Shinro Ohtake

G374

The Execution of Mazdak, Western Iran or Baghdad — The Execution of Mazdak, c. 1300
Western Iran or Baghdad

G243

three men in ULC-one man chisels at rock; two men push wheelbarrows filled with clay; black, gold, and red lacquer frame — Excavating the Clay, 19th century
Unknown Chinese

G209

woman with child at window, URC; man in yellow tunic, LRC; man with yoke follows another figure carrying a small basket; seated man stokes a firing kiln; black, gold and red lacquer frame — Kiln-firing the Porcelain, 19th century
Unknown Chinese

G209

man at L beats a clump of clay; two figures at center load bowls into large baskets; figure at R emerges from a room with a rack of decorated ceramics; black, gold and red lacquer frame — Removing the Kiln-fired Wares, 19th century
Unknown Chinese

G209

two men in LRC standing near bricks; man in URC with barrels; two men at L stir contents of barrels and kneed in a low vat; another figure seen through window, ULC; black, gold and red lacquer frame — Pulverizing the Clay and Building the Kiln, 19th century
Unknown Chinese

G209

standing woman with child at R; seated man splitting a reed or twig, LRC; man in LLC carries a yoke; small figure seated between the two men; black, gold and red lacquer frame — Breaking up the Clay, 19th century
Unknown Chinese

G209

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